Let's Face It
/waking
under the gray water
of dawn
on my back
staring at the beams
of certain words
the memorized temple
formed face-to-face
on our knees
and my god
in that gaze
we are
unanimously
the well-shaped
apple tree
waking
under the gray water
of dawn
on my back
staring at the beams
of certain words
the memorized temple
formed face-to-face
on our knees
and my god
in that gaze
we are
unanimously
the well-shaped
apple tree
First fireflies
which mean nothing
except that June progresses in a way
making sense to those who tarry.
The fall of empires –
I am not as reckless as I may seem.
More anchors than lost vessels. Yet
sometimes one needs a beer
to wish a father Happy Father's Day. I'm not waiting
anymore for what is not mine.
A silver lining rounding ginger sunsets
dissected into unrealistic hues.
He wants
me with him tonight but I turn
towards the dark
towards the empty side the bed
towards a piss poor imitation of free will
under enlightenment's regime. Sandra Gilbert
makes bread and leaves it on my table.
Leave me on the table. Me, hewn from oak trees
and sky and water returning.
In the distance chainsaws
sound like children crying. Takers with the power
to give. The power to change.
The power to give the power
to those who want to eat more
than their share.
Light, let there be you.
You, let there be me.
Me, let it pass.
a nickel mist
parting
for the symbol offered
by ghosts –
an arrow twisted
in a Celtic knot
bobbing on the sea
water split
at my breast
and the cool glide
of time
feathers my cheek
Around
Toward
Away
my ankles in his eddies
my syllables on your shore
Barreling out of Detroit, two hawks
higher. All the bloated deer
with spindling legs and broken necks
lower. The funeral was an intimate affair.
An outsider's glance is worth what exactly?
I drove the car hard – 80 mph
when the music was right.
And the music is always right.
Play it. Drive it. Taste it.
Softer sweetness in cotton
candy disintegration – I make it home in time
to make time
for the one who spends time
staking pathways
in sand grains funneled
in the head-over-heels
hourglass.
Ah tick-tock / ya don't stop / to the / tick-tock / ya don't stop
As a woman who is figuring it out that she has always had it figured out, she seems to suggest that her nakedness is part of seeing this though. And dearest timekeeper, she promises not to eat you until the end.
I didn't expect – a half inch moon
making up the difference.
Yet before all of that we (and by “we” I mean I)
watched the sun set
through the ears of a three-legged rabbit.
In a way
the first time the fuzz
of his inner ear turned mango
is the first time we made
love.
We've told that story before.
You ask for it every night when I go
to bed facing east, when I fall
asleep on the right side
of the bed, when we sew the verge
between what-if and was
and now. The Night Sky
petunias tremble
in the backwash of the hungry three-legged rabbit.
In a way
you held me. This way.
after a few beers
that taste of a dark forest
and the words you wrote
about dashboards and eagles and scrubby pines
I pray to that lumbering bear
who sleeps in the sky
and ask permission
to stay
daffodil hints
too soon
and
pine lashes
lowered to see
my immoderate fall
what unknowing is bared
in the cold
and love
when winter weight
lays down on me full length
and bird souls hang in the air
one may easily
mistake a tune
for salvation –
have you heard
the red-winged trill
too soon?
how my affection
is of no use
to the blackbird
how the fields will dream
in the sunshine
and deer curl
in grassy hamlets
when raindrops
shake the tulips
too soon . . .
no longer a distance
measured
or days counted
from autumn to spring
and no accurate arrow
pierces the heart
in hibernation
too soon
when today
is the only day
there is
when you can do nothing but see
the un-walkable path, light glinting
unblemished by feet, but still
the way
winter
carves despair on one hand
redemption on the other, so hidden
for a time such as this
so stripped
we can't speak of it anymore
unlike the chickadees
or the cardinal couple
in the dying dogwood
off the west corner
of the house
and yet
this lovely curfew
remaining by
the sea
autumn
changing her favorite color
to red
a Golden Eagle
cutting the corpse-colored
sky
a resurrection
in his clawed landing
whereby
everything
is
everything
I stagger
on the stepping stones
of sense –
how the river freezes around
the immovable
truth
the train's legato notes / leaving indigo's dawn / asleep in bed
the last first kiss
will be like cardinal prints
on 5 a.m. snow –
a lacy surprise melting
into dawn
folding paper blinds –
apologies met with light
yet I turn aside
for winter
on the lip
of your chalice -
as close as
you will
allow
a monarch's flight
around the sugar maple -
who is courting whom
the high made low
prostrate
before October
again
a fleeting season
of prodigal
vows
sable dissolving
into not-quite dawn –
I follow the wick
towards a peppery break
to face the hues of our stay
stained glass morning
yielding shattered praises
before the storm -
how light
will not be
kept
a thousand times a day
I rise and fall
in a few short notes -
cardinals, crows, and chickadees